Temperance, Tyranny, and the
Metaphysical Constitution of the Soul: Plato’s Charmides and the
Esoteric Teachings of Reale and Strauss
Among Plato’s so-called “early”
dialogues, Charmides stands out as a work of great subtlety and
metaphysical depth. On its surface, the dialogue is a simple Socratic exercise
in defining the virtue of sophrosyne, commonly rendered as “temperance”
or “moderation.” It ends, like many other early dialogues, in aporia: Socrates
and his interlocutors fail to establish a definitive account of the virtue, and
we are left with uncertainty.
But as Giovanni Reale and Leo
Strauss each show in their own way, this surface perplexity conceals a deeper
pedagogical structure. The dialogue is not a failure, but a carefully crafted
ascent—one that gestures toward the true nature of temperance, virtue, and
ultimately, the just soul and the lawful polis. To the attentive reader, Charmides
offers a blueprint for understanding the foundations of law, virtue, and
rational governance. It is a dialogue not about failure, but about the soul’s
awakening to its need for metaphysical order.
The Drama of Charmides:
Beauty, Power, and Wisdom
The setting is charged with
political and erotic tension. Socrates returns from war and encounters the
stunningly beautiful Charmides in the gymnasium. His beauty draws the attention
not just of Socrates, but of the whole crowd, his appearance is likened to that
of a god. But the question arises: does outward beauty reflect inward order?
Does he possess sôphrosynê?
This leads to a series of
proposed definitions: temperance is quietness, doing one's own business,
self-knowledge, or the knowledge of knowledge. Each is tested and found
wanting. Socrates eventually leads his interlocutor—Charmides, but increasingly
Critias—into deeper and more abstract waters. The turning point arrives when
temperance is equated with knowledge of what one knows and does not know. But
this raises troubling questions: Can such a reflexive science be practically
useful? Can it produce the Good? Can it bring about happiness?
By the dialogue’s end, all
definitions have failed. Yet Socrates closes with a note of moral seriousness:
if it turns out that temperance is truly present in Charmides’ soul, he must
pursue it with all his might. The virtue remains real, even if our rational
grasp of it falters.
Reale’s Reading: From Forms to
Principles
Giovanni Reale, the great Italian
interpreter of Plato, would likely view Charmides not as a dead-end but
as a pointer to Plato’s unwritten doctrines. According to Reale, dialogues that
end in aporia reveal their true
teaching only when read in light of Plato’s later metaphysical framework, especially
the doctrine of first principles (archai) that undergird the Forms.
These principles, most fundamentally, the One and the Indefinite Dyad, constitute
the pre-formal ground of intelligibility and being.
Reale argues that the failure to
define sôphrosynê dialectically is not a failure at all. Rather, it is a
deliberate moment of pedagogical purification, preparing the reader for the
metaphysical insight that true virtue cannot be captured by mere logos.
Temperance, for Reale, must be viewed as the soul’s harmonious participation in
the rational order of Being. To “know oneself” is not psychological
introspection but metaphysical self-location: to recognize one’s place in the
cosmic hierarchy, ordered toward the Good.
This is a common theme in Reale’s interpretive approach. One which I share.
In this light, the aporia
of Charmides is not an ending but a threshold. The soul is led, through
failed definition, to an experience of its own incompleteness. This prepares it
to ascend, not analytically, but noetically, toward the reality of virtue as
participation in divine reason.
Strauss’ Reading: Philosophy,
Moderation, and Political Danger
Though Leo Strauss never
specifically commented on the Charmides, we can apply a reasonable approximation
of his approach. Strauss approaches the
dialogue from another angle than Reale. Strauss, of course, is equally esoteric but
more attuned to the political problem. For Strauss, Charmides might be a
study in the relationship between philosophy, virtue, and the city. Socrates
stands between two dangerous forces: the charismatic, beautiful youth
(Charmides), and the powerful, ruthless intellect (Critias), who would later
become one of the Thirty Tyrants.
Strauss is always alert to the
way Socrates speaks, not just what he says, but how and to whom.
Socrates educates not by proclaiming truths, but by leading his
interlocutors into productive confusion. His irony protects philosophy from
the hostility of the city. In Charmides, Socrates uses temperance as a
test: Can Charmides be brought to care more about his soul than his appearance?
Can Critias, full of ambition and cleverness, be made to see the limits of mere
intellect?
What emerges is a vision of
temperance not as an abstract definition, but as a condition for the
emergence of philosophy itself. Only the moderate soul is open to the
whole. Only the temperate man can govern himself and others justly. Socrates,
by refusing to finalize the definition of sôphrosynê, teaches by
example, through restraint, a model of lawful self-rule. In this, Strauss sees
not failure, but a hidden victory: the philosophical life preserves itself
through moderation, irony, and the refusal to force conclusions.
Toward a Metaphysical
Jurisprudence
Reale and Strauss, though they might
differ in emphasis, converge on a profound insight: Charmides is a
dialogue about the soul’s constitution. Temperance is not just a virtue among
others, it is the condition for justice, the ground of reason, and the inner
form of lawful order.
For my own project in
Metaphysical Jurisprudence, Charmides offers a foundational lesson. The
law must be more than rules; it must reflect the rational order of the soul.
Juridical legitimacy depends not on procedural correctness alone, but on the
presence of sôphrosynê—the self-rule of reason in the individual and in
the polity. This is not a utopian ideal, but a metaphysical necessity. Where
temperance fails, tyranny follows—whether in the soul (as appetite usurps
reason) or in the state (as power severs itself from wisdom).
Plato, through Socrates, leads us
to this truth not by telling us, but by showing us: in the failure to
define temperance, he awakens the soul to its need for the Good. Reale sees
this as the soul’s upward ascent toward metaphysical participation. Strauss
sees it as the political philosopher’s art of survival and teaching under
pressure. Both are right. And both speak to us still, who seek to ground law
not in will or power, but in the permanent things.